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Princess II Division

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The Matrix


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In Postmodern thought, interpretations of The Matrix often reference Baudrillard's philosophy to demonstrate that the movie is an allegory for contemporary experience in a heavily commercialized, media-driven society, especially in developed countries. Another angle is supplied by French artist, psychoanalyst and feminist theorist Bracha L. Ettinger's "Matrix" Notebooks from the 1980s and Matrixial theory from the 1990s.[26][27] This influence was brought to the public's attention through the writings of art historians such as Griselda Pollock[28] and film theorists such as Heinz-Peter Schwerfel[29]. Ettinger began to articulate the matrixial sphere and the matrixial gaze as a psychic unconscious sphere with social, cultural, spiritual, and finally political implications around 1985, alongside a series of paintings named Matrix.


Her notebooks named "Matrix" were first published in France in 1991, reprinted in 1992 by Deleuze and Guattari, and in 1993 by the MOMA (Museum of Modern Art) in Oxford. Starting a long series of essays on the Matrix with "Matrix and Metramorphosis" (Differences 4(3)) in 1992 and "The Matrixial Gaze" in 1994, Ettinger transformed the debates in psychoanalysis, postmodernism, feminist theory, gaze and aesthetics in terms of the matrixial borderspace already during the 1990s. In Ettinger's matrixial theory the emphasis is on the space of "co-emergence" of several "I" and "non-I", the virtual, potential and actual shareability of traces of trauma and of phantasy (beginning in the womb as matrix), on the mental re-co-birth where subjects are trans-connected by psychic strings and threads to form trans-subjectivity.


Also released was The Animatrix, a collection of nine animated short films, many of which were created in the same Japanese animation style that was a strong influence on the live trilogy. The Animatrix was overseen and approved by the Wachowskis but they only wrote four of the segments themselves and did not direct any of them; much of the project was created by notable figures from the world of anime.


As TARDISes possessed their own matrix, every Time Lord and TARDIS was connected to the central Matrix on Gallifrey where their experiences were constantly being uploaded. (COMIC: Sky Jacks, AUDIO: Songs of Love) For this reason, the Eighth Doctor described the Matrix as "the sum total of all Time Lord experience". (AUDIO: Lies in Ruins) The Spy Master called it "the lived history of our race". (TV: The Timeless Children)


The Surgeon once remarked that the "matrix of crystals" with which the Superiors clung onto life was one of the reasons they remained the main power of the universe during the time before the War in Heaven (PROSE: The V Cwejes)


The extracellular matrix is a fundamental, core component of all tissues and organs, and is essential for the existence of multicellular organisms. From the earliest stages of organism development until death, it regulates and fine-tunes every cellular process in the body. In cancer, the extracellular matrix is altered at the biochemical, biomechanical, architectural and topographical levels, and recent years have seen an exponential increase in the study and recognition of the importance of the matrix in solid tumours. Coupled with the advancement of new technologies to study various elements of the matrix and cell-matrix interactions, we are also beginning to see the deployment of matrix-centric, stromal targeting cancer therapies. This Review touches on many of the facets of matrix biology in solid cancers, including breast, pancreatic and lung cancer, with the aim of highlighting some of the emerging interactions of the matrix and influences that the matrix has on tumour onset, progression and metastatic dissemination, before summarizing the ongoing work in the field aimed at developing therapies to co-target the matrix in cancer and cancer metastasis.


A matrix strategy lets you use variables in a single job definition to automatically create mul




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